As an artist, I believe we can embrace the world around us by accepting our flawed understanding of it. This philosophy guides my approach to painting, as I aim to foster more honest and authentic creative expression by embracing imperfection. Growing up with a blind parent taught me that our perceptions are subjective and incomplete. This understanding was reinforced during my time as an engineer when I learned that scientific, technical, and mathematical representations are also merely models that approximate reality.

I recognize that each viewer's perception of my work is unique. While we may often agree on certain truths, the variations in how my work is perceived can astonish me. Therefore, I encourage viewers to discover their own personal meanings within my work. I encourage divergent interpretations in order to foster deeper connections and enhance resonance.

My current series 'Spolia' explores the complex interplay between past and present, examining how objects of significance are absorbed and transformed over time. Drawing inspiration from the architectural term 'spolia' - referring to repurposed artifacts in new constructions - this body of work delves into themes and liminal spaces between worlds.

Through these works, I investigate the tension between original meaning and reinterpretation, often subverting familiar symbols to challenge dominant narratives. This process mirrors my personal experience of existing between realms - navigating the sighted and non-sighted worlds, and engaging with 'outsider' art and music. It speaks to those who find themselves in the interstices of society.

Ultimately, 'Spolia' celebrates the unique perspective gained from this 'in-between' state. It embraces the defiance and joy found in carving out one's own space amidst opposing forces, inviting viewers to reflect on their own experiences of belonging and displacement.